Abstract

This study identifies and analyzes the formal characteristics and craftsmanship of crowns and masks used in Khmer performing arts in Vinh Long Province. Employing ethnographic fieldwork and participant observation at craft workshops, the study clarifies the anthropometric distinctions between crowns (Mkud) and masks (Muc/Ro- bang Muc) and systematizes them into three principal categories: crowns, masks, and crown–mask combinations. Drawing on symbolic theory and cultural ecology, the article interprets local knowledge embodied in a nine- stage production process adapted to the natural environment of Southern Vietnam and the contemporary socioeconomic context. It also elucidates the cosmological symbols and dualistic philosophy encoded in the forms of these performance objects. The findings affirm their value as intangible cultural heritage and offer practical scholarly insights into the preservation of traditional Khmer performing arts in present-day Vinh Long.

Keywords: Craftsmanship, crowns, Khmer performing arts in Vinh Long, masks.