Abstract

Mother-of-pearl inlay motifs found in traditional worship furniture in Hue constitute an important element of Vietnamese applied art, reflecting the integration of craftsmanship, decorative aesthetics, and cultural values within sacred spaces. This study examines the formal characteristics and aesthetic value of inlaid motifs on altar cabinets, horizontal inscribed panels, and parallel couplets in traditional Hue worship interiors. The study employs a literature review, visual analysis, and comparison of decorative motifs. The findings reveal a diverse decorative system comprising the Four Sacred Creatures, the Four Noble Plants, floral motifs, birds and animals, and Chinese characters. These motifs are stylized to enhance their ornamental qualities through symmetrical compositions, graceful lines, and the iridescent effects of mother-of-pearl. In addition to their aesthetic significance, mother-of- pearl inlay motifs reflect the cultural identity and artistic thought embodied in traditional Hue art.

Keywords: Hue art; Hue mother-of-pearl inlay; Vietnamese handicrafts; Vietnamese traditional art; Vietnamese traditional motifs.